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Yusa featuring Gino Castillo
Sat Jun 13 @ 9:15 PM
“Listening to the bitter-sweet lyrics of new Cuban singer YUSA and the simple sophistication of her music one knows one is finally hearing 21st century Cuba. Her cutting-edge songs map the contemporary emotional lives of urban Havana. Fused inside her music are traces from further afield, from iconclastic jazz and rock to today’s Brazil. Full of the vital energy of experimentation and the textures of musical exchange gained in intimate venues, Yusa offers a whole new way of hearing Cuba.” – Jan Fairley
Yusa is living proof that not everyone in Cuba is making music like their grandaddy! Yes, of course there are urban echoes of classic trova songs, but it’s offshoots like bolero and notably ‘filin’ that inform this true voice of the 21st century whose songs break down the labels usually imposed on the island’s music. As a modern troubadour Yusa, like others in her peer group, is as influenced by Spanish and North American pop and jazz as by ‘nueva trova’ and son. After all Yusa grew up with her ear stimulated by everything Cuba had to offer as well as a legion of international musicians including Miles Davis, Peter Gabriel, Sting, Stevie Wonder, Chick Corea and Jaco Pastorius. And sheÕs of a generation whose musical world owes as much to their contemporaries in Brazil Ð Lenine, Chico Science, Chico Cesar, Carlinhos Brown Ð as to anything home grown.
Born in the Buena Vista district of today’s Playa and growing up in the modern Alamar housing community of east Havana, Yusa’s childhood was spent between music and the sea, cherished by her economist mother and her sailor father whose eyes always have, ‘the gaze of the sea in them’.
Yusa started with guitar, went on to Cuban tres guitar, taking piano and bass in her stride. What inspires this debut disc are vital creative years spent jamming in the hallways and classrooms of the Amadeo Rold‡n Conservatory exchanging musical ideas with contemporaries such as Roberto Carcasses, who is now the arranger of many of the songs on this disc. Then there’s Yusa’s time improvising female quintet Quasi-Jazz at that crucible of Cuban music, ‘El Zorro y el Cuervo’, the basement night club on Havana’s central La Rampa street which has been at the cutting edge of Cuban jazz since the early 20th century.
A key phenomena of 1990s Cuba was the emergence of contemporary duos revitalising in totally unexpected ways the older fashion of singing two part harmony with guitar. In the same way as Gema and Pavel had before them, Yusa and Domingo made waves among their urban milieu in the small corner bars and neighbourhood clubs where for centuries new Cuban musics have always been dreamed up.
Yusa and her musical accomplices recorded in the late nights and early mornings of a sweltering Cuban winter in the big old house of Vedado’s Once (11) street. Here in the intimate atmosphere of singer-songwriter Pablo Milanes’ studios, with a couple of tracks in the Amadeo Roldán Theatre, they have created a disc which breaks boundaries.
Producer Pavel’s frames certain pieces with ‘found sounds’ from percussive traffic to trains, camera clicks to children’s cries, music box melodies to the crash of sea waves for Yusa’s call to Yemayá, the Cuban ‘Orisha’ Goddess of the sea, texturing captured moments. The enigmas of Yusa’s bitter-sweet lyrics are realised in a music full of simplicity and sophistication as befits modern Cuba.
‘As you listen to this new CD you should forget everything you thought you knew about contemporary Cuban music’ – NPR, USA
‘Yusa has arrived as a powerful new voice stocked with a profound knowledge of her musical roots and an innovative reinvention of Cuba’ – Global Rhythm, USA
The winner of Cubadisco 2003, fusion category
New York Times Syndicate, John Shelton, Top 21 CDs
European World Music Chart, Top 10
‘Like a vocally dexterous Tracy Chapman with a large jazzy collection’ – Neil Bennun, BBC Online
‘Yusa is an aural journey from start to finish’ – Miami New Times
‘Top of the World’ Critics Choice, Songlines
‘Very impressive live’ – Charlie Gillett
‘Remarkably accomplished eclectic music’ – Sue Steward
‘Is it any surprise that she’s been nominated for an award in two categories ?’ – FRoots/BBC Radio 3 World Music Awards
Nominated at WOMEX 2002 in two categories for the BBC Radio 3 World Music Awards: Best Newcomer and Best of the Americas
Gino Castillo & The Cuban Cowboys
Jazz artist of the year City Paper Music Awards 2K winer(2013 & 2014 )
Jazz artist of the year Independent Tone Awards 2K winer (2015 & 2016)
Jazz hit single of the year Independent Tone Awards (2018)
Tour, Recording, Educator and Clinician Percussionist, Composer and Singer.
His Background included:
Honorary degree in percussion teaching, giving for George Gershwin Conservatory
Percussion studies in: Caturla Conservatory, Felix Varela Conservatory, and many private lesson Including several years of weekly sessions with Oscarito Valdes (Cuba)
Since then, his musical talent has been heard in many albums and live shows, as he has collaborated with many international artists, such as:
Earl Klugh, Al Turner, Michael Mossman, Quentin Baxter, Etienne Charles, Horacio el Negro Hernández, Oscarito Valdés, Eddie Venegas, Charleston Jazz Orchestra, Charleston Smooth Jazz Orchestra, Lowcountry Latin Jazz Collective
TICKET TERMS AND CONDITIONS
1. Final sale. No refunds, no exchanges, not transferable.
2. We are located at 300 South Brevard Street, at the corner of South Brevard and East M.L.K. Jr. Boulevard.
3. Enter on South Brevard Street.
4. Paid parking is available in the 300 South Brevard deck, accessible via East M.L.K. Jr. Boulevard. Space is not guaranteed.
5. If traveling via public transportation, the nearest LYNX stop is the 3rd/Convention Center Station.
6. Seating is first-come at the door. Only Baby Grand Members qualify for early seating.
7. Doors open 30 minutes prior to the performance for General Admission ticket-holders. Doors open one hour prior to the performance for Baby Grand Members for the first show of the night. If time permits, members will be allowed early access to the second show but only the first show of the night will have guaranteed 30-minute early entry for Baby Grand Members.
8. Photography or recording of any kind is strictly prohibited. Smartphones are permitted.
• Tickets can be redeemed using a smartphone, no printing is required.
• All shows all ages unless otherwise posted, but please consider this is an adult setting.
• A full bar and light food menu are available throughout the show.
• At Middle C Jazz, we believe in taking care of each other and of ourselves. Please approach your concert experience with consideration for the enjoyment and safety of others, and please travel to and from your show responsibly.